Mostrando entradas con la etiqueta English. Mostrar todas las entradas
Mostrando entradas con la etiqueta English. Mostrar todas las entradas

viernes, 14 de junio de 2024

BLOOD, SWEAT AND TORTILLAS, SANG, SUEUR ET TORTILLAS, SANGRE, SUDOR Y TORTILLAS



« Love lies bleeding » de Rose Glass es un pequeño gran film, ambientado en Nuevo Méjico en 1989 con  realismo mágico y matices de Stan Lee. El guión, que no oculta sus inspiraciones en varias obras maestras, lleva al espectador sin que note el paso del tiempo desde una escena de introducción explosiva hasta un relajante final. En la dirección hay Tarantino, Coen, Eastwood, Lubitsch… sin que se pierda el modo de Glass de hacer cine. La dirección de actores se aprovecha de un casting formidable con el Ed Harris sólido de siempre y la frescura de las dos actrices, Kristen Stewart y Katy O’Brian, que llevan en volandas la historia alucinada y alucinante de una pareja de amantes a través de un camino de sangre, sudor y tortillas… Recomendable.


« Love lies bleeding » by Rose Glass is a great little film, set in New Mexico in 1989 with magical realism and Stan Lee nuances. The script, which does not hide its inspirations from several masterpieces, takes the viewer without noticing the passage of time from an explosive introductory scene to a relaxing finale. In the direction there are Tarantino, Coen, Eastwood, Lubitsch... without losing Glass's way of making films. The direction of actors takes advantage of a formidable casting with the always solid Ed Harris and the freshness of the two actresses, Kristen Stewart and Katy O'Brian, who carry the wild and amazing story of a couple of lovers through a path of blood, sweat and tortillas… Recommended.


« Love lies bleeding » de Rose Glass est un super petit film, se déroulant au Nouveau-Mexique en 1989 avec un réalisme magique et des nuances de Stan Lee. Le scénario, qui ne cache pas ses inspirations de plusieurs chefs-d'œuvre, emmène le spectateur sans s'apercevoir du passage du temps d'une scène d'introduction explosive à un final relaxant. Dans la direction il y a Tarantino, Coen, Eastwood, Lubitsch... sans perdre la façon de faire des films de Glass. La direction des acteurs profite d'un casting formidable avec le toujours solide Ed Harris et de la fraîcheur des deux actrices, Kristen Stewart et Katy O'Brian, qui portent l'histoire sauvage et étonnante d'un couple d'amoureux, à travers un chemin de sang, sueur et tortillas… Recommandé.



jueves, 8 de febrero de 2024

LA NIÑA BARRO EN TOURNÉE 2024/2025


 

"Elle soupire...

Et des éclats volent de ses lèvres

se mouiller contre le mur

de pluie paralysée

pour l'angoisse sombre

accroupie

derrière la porte sans poignée

comme un écho sans paroles"


La Niña Barro est une pièce de théâtre visuel conçue à partir d'une anthologie de poèmes de l'écrivaine espagnole Marta Massé. Cette pièce méditative et lyrique montre le parcours d'une femme en argile, de sa naissance à l'âge adulte, encourageant le public à réfléchir à ce qui nous façonne en tant qu'êtres humains tout au long de ce parcours. Elle évoque les mythes de la création et les images des rituels de culte et de fertilité présents dans de nombreuses cultures à travers le monde, ce qui la rend attrayante pour un large public. Elle a été saluée comme une pièce de théâtre touchante, engageante et stimulante. Production du Fronteiras Theatre Lab, interprétée par l'actrice Elizabeth Sogorb et la performer, Alexandra Rodes, espagnoles les deux. Pour la programmer :Elizabeth Sogorb +34 663 439 117 lasogorb@gmail.com


« Suspira...

Y esquirlas saltan de sus labios

humedeciéndose contra la pared

de lluvia paralizada



por la angustia oscura

agazapada

tras la puerta sin pomo

como eco sin palabras. »



Estas palabras pueden introducirnos en el mundo literario de Marta, la autora de los poemas que han hecho nacer  « La niña barro » como teatro. La Niña Barro es una pieza de teatro visual ideada por Flavia D’Avila, directora de teatro brasileña que vive en Escocia,  a partir de una antología de poemas de la escritora española Marta Massé, actualmente residente en los Países Bajos. Esta pieza meditativa y lírica muestra el viaje de una mujer hecha de arcilla desde su nacimiento hasta la plena edad adulta, animando al público a pensar en lo que nos moldea como humanos a lo largo del camino. Evoca mitos de la creación e imágenes de adoración y rituales de fertilidad presentes en muchas culturas alrededor del mundo. Producción de Fronteiras Theatre Lab, interpretada por la actriz Elizabeth Sogorb y la performer Alexandra Rodes, ambas españolas de Alicante. Contratación en Elizabeth Sogorb +34 663 439 117 lasogorb@gmail.com

« She sighs...

And splinters jump from hers lips

getting wet against the wall

of rain paralyzed

by the dark anguish

crouching

behind the door without a handle

like an echo without words. »


La Niña Barro is a devised visual theatre piece based on an anthology of poems by Spanish writer Marta Massé. This meditative and lyrical piece shows the journey of a woman made of clay from her birth to full adulthood, encouraging the audience to think about what shapes us as humans along the way. It evokes myths of creation and images of worship and fertility rituals present in many cultures around the world, which makes it appealing to a wide audience. It has received acclaim as a touching, engaging, and challenging piece of theatre.Production of Fronteiras Theater Lab, performed by the spanish  actress Elizabeth Sogorb and the performer Alexandra Rodes also spanish, . Hiring at Elizabeth Sogorb +34 663 439 117 lasogorb@gmail.com 



Photos: Fronteiras Theatre Lab

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miércoles, 30 de agosto de 2023

BURN OUT


 Antes de ayer, se me quemó el teléfono móvil. He comprado otro ayer. No se podían recuperar datos del viejo para trasladar al nuevo. Posiblemente he perdido contactos. Por favor, disculpad las molestias que os pueda causar en los próximos días con llamadas y mensajes absurdos. Muchas gracias.


Atzo baino lehen, telefono mugikorra erre zitzaidan. Beste bat atzo erosi dut. Ezin ziren zaharraren datuak berreskuratu, berrira eramateko. Agian kontaktuak galdu ditut. Mesedez, barkatu dei eta mezu zentzugabeekin datozen egunetan sor ditzakezuen eragozpenak. Mila esker.


The day before yesterday, my mobile phone burned down. I bought another yesterday. Data could not be recovered from the old one to transfer to the new one. Possibly I have lost contacts. Please, apologize for any inconvenience that may cause you in the coming days with absurd calls and messages. Thank you so much.


Avant-hier, mon téléphone portable a brûlé. J'en ai acheté un autre hier. Les données n'ont pas pu être récupérées de l'ancien pour être transférées vers le nouveau. J'ai peut-être perdu des contacts. Veuillez excuser tout inconvénient que je pourrais vous causer dans les prochains jours avec des appels et des messages absurdes. Merci beaucoup.

jueves, 10 de noviembre de 2022

A LETTER TO STUDENTS OF FILM SCHOOLS

(This is a translation of a letter written in spanish language by Carlos Martinho)


 Dear students of film, audiovisual and other schools,


When working with actresses and actors, we ask you to:


1. When you call for a casting, send the script of the short film, the actor/actress we must know if we want to participate or not, no matter how good the script can be that she or he can not be interested. It saves everyone time. Send at least one dull reprint so the actress/actor can get used to the idea of ​​what's to come. It makes no sense to cast a short film in which we don't know how much weight our character will have.


2. You have our video-book, photos, etc. When you do a casting, remember that we lend you our work for free, don't abuse it. With a test you have enough, you do not need: a scene, a monologue written by the actor himself, an improvisation and the analysis of the character... too much is too much... Plus we have life and work in other things (we are actors but we eat too).


3. Indicate for which character the actress/actor is going to the casting. It's very useful.


4. List casting and filming dates. This saves everyone time in case there is no availability.


5. Indicate if there are nudity or bed scenes before casting. You will save a lot of time and money for a lot of people (casting transfers cost money)


6. In online castings (That's normally enough), send us the text you want us to interpret. Do not ask us for a scene of our choice, because you already have this video book which cost us so much. The video book is a working tool to facilitate your casting process. enjoy!


7. Studying and preparing a script and a role takes a lot of time, keep that in mind. It's not something that can be done properly in 2 days. When you go to record a short film, the actor/actress has been preparing it for days. Also in the casting.


8. “Our work involves a collaboration agreement”. We offer our work for free in exchange for your feedback in the form of images. Send a link with the short where it can be downloaded. If you don't finish the editing for any reason, send the roughs (close-up, selections, excerpts with our interpretation), that's also useful to us.


9. A professional short film is remunerated. An unpaid short film is amateur by definition, however professional you may be. It's great that you invest money in your technical team, but your essential raw material and your stories are fed by actors, actresses... Treat us accordingly with respect.


Thank you very much for considering it.



I didn't know who the author was, but I found out that he is Carlos Martinho: thanks Carlos

 https://deactores.com/forum/foros-de-opini%C3%B3n/general/42424-%C2%BFpor-qu%C3%A9-los-estudiantes-de-cine-son-tan-papanatas/page2

I first published it in french:

martes, 15 de junio de 2021

ANTXÓN MASSÉ ABOGADO DONOSTIA CAMBIA DE SEDE

 


Paso a colaborar con un bufete de abogados especializado fundamentalmente en derecho laboral DGB Legal, situado también en Donostia -San Sebastián en el polígono empresarial de Igara.

Un despacho que aporta a sus clientes soluciones cercanas y rápidas en todas las áreas vinculadas con el Derecho Social en España.

Además cuenta con una gestoría (GEUK, s.l.) que ofrece servicios de gestión laboral completa: nóminas, seguros sociales, contratos…

El próximo 1 de julio de 2021, mi dirección profesional pasa a ser: Calle Pilotegi, 2 oficina 6, 20018 Donostia – San Sebastián, donde estaré junto a la abogada GALA IZAGUIRRE (Colegiada en 1996) y la abogada DEMELZA PANTIGOSO (Colegiada en 2004).

Mis teléfonos y correo electrónico siguen siendo los mismos.


Abokatu bulego batekin kolaboratu nuen, bulego hau batez ere lan zuzenbidean espezializatuta dago, DGB Legal Donostian dago Igarako negozio parkean.

Espainiako Zuzenbide Sozialarekin lotutako arlo guztietan bezeroei irtenbide hurbilak eta azkarrak eskaintzen dizkien bulegoa da.

GEUK SL agentzia bat ere badu, lana kudeatzeko zerbitzu osoak eskaintzen ditu: nominak, gizarte segurantza, kontratuak …

2021eko uztailaren 1ean nire helbide profesionala hau izango da: Pilotegi kalea, 2. bulegoa 6, 20018 Donostia - San Sebastián.

Hor egongo naiz GALA IZAGUIRRE abokatuarekin (1996an erregistratuta) eta DEMELTZA PANTIGOSO abokatuarekin (2004an erregistratuta).

Nire telefono zenbakiak eta posta elektronikoa berdinak dira.


Je vais collaborer avec un cabinet qui est principalement spécialisé en droit du travail, DGB Legal est situé à Donostia - San Sebastián dans le parc d'activités d'Igara.

C'est un cabinet d’avocats qui fournit des solutions proches et rapides à ses clients dans tous les domaines liés au droit social en Espagne.

Il dispose également d'une agence, GEUK SL,qui propose des services complets de gestion du travail : paie, sécurité sociale, contrats…

Le 1er juillet 2021, mon adresse professionnelle sera : Calle Pilotegi, 2 office 6, 20018 Donostia - San Sebastián.

J'y serai avec l'avocate GALA IZAGUIRRE (Inscrite en 1996) et l'avocate DEMELTZA PANTIGOSO (Inscrite en 2004).

Mes numéros de téléphone et e-mail restent les mêmes.


I`m going to collaborate with a law firm mainly specialized in labor law, DGB Legal is located in Donostia - San Sebastián in the Igara business park.

It is a firm that provides close and fast solutions to its clients in all areas related to Social Law in Spain.

It also has an agency, GEUK SL that offers complete labor management services: payroll, social security, contracts …

On July 1, 2021 my professional address will be: Calle Pilotegi, 2 office 6, 20018 Donostia - San Sebastián,

I will be there with the lawyer GALA IZAGUIRRE (Registered in 1996) and the lawyer DEMELTZA PANTIGOSO (Registered in 2004).

My phone numbers and email remain the same.

lunes, 1 de mayo de 2017

AS ACTOR

ANTXÓN MASSÉ



BIARRITZ DONOSTIA - SAN SEBASTIÁN 
LUXEMBOURG - THE HAGUE

Antonio Massé, stage name Antxón Massé. Multifaceted actor, from Donostia and of French origin, more than 60 years of actor. Trained from the age of 16 with recognized teachers in the theater of an obscure Spain and first appearances in short films. Then came a career as a lawyer and teacher, compatible with sport (rugby, hockey, skiing...) and medieval tournament and western horse shows, until the theater came back into his life at 60 and his life took him to Biarritz. Here, he goes from the stage to the film set and vice versa, playing the typical basque farmer or fisherman, the elegant lawyer, the drunken uncle of the bride, the distracted poet, the lewd miser ... now currently interested in filming one of his scripts because he also writes and continues to learn at 75.
I can stay at my own expense in Laval, Biarritz, Bordeaux, Mont de Marsan, Luxembourg, The Hague, San Sebastian, Jaca, Madrid and other cities.


Height: 175 cms.        Weight: 85 kg.           Hair: White     Eyes: Blue


ADVERTISING
2026: Filming in Lyon of an advertisement in Spanish
2022: 2 commercials filmed at Donostia - San Sebastián and another at Bilbao
2021: commercial filmed at Santander

THEATER (partial list)
2026: Théâtre du Versant, Biarritz, actor at La loi de Murphy...
2025: Théâtre du Tiroir des affabulations, Laval, collaboration with Jean Luc Bansard in the plays : Josette et son papa ; Le bouc et la hyéne ; Bilbo le hobbit ; Ubu en Afrique ; Le procès de Marie Josiane Tiquao...
2024: Ubu en Afrique, based in Alfred Jarry's work, collaboration and helping hand. La niña barro, from Marta Massé, collaboration for distribution in France
2023: La Chandelle verte, Alfred Jarry/Alphonse Allais, Laval.
2021-2022: The Winter's Tale, William Shakespeare at Mont de Marsan
Before:
Cocteau, Molière, Topor, Marsan, Ionesco and others at Mont de Marsan and Biarritz in French
Pedrero, Brown, Malanga… at San Sebastián in Spanish

MISCELLANEOUS SHOWS
2025, 2024, 2023: healthcare simulation training. Improvisations for IFAS of the CHU, Laval
Medieval tournaments, equestrian tourism with far-west atmosphere.
Clown

TV
2024, Canal plus documentary, Ealdred Archbishop of York (Planète+ Europe des Merveilles: La Tour de Londres)
2019: Works at HBO TV serie "Patria" and at Movistar serie "La Linea Invisible"
Before: work at TV serie; live discussion programs in Etb and Teledonosti

FILMS
2022: Short at Bordeaux (The client)
Before: Short at Navarrenx (Pantxoa, the Basque); work at long films at San Sebastián (Inc. Woody Allen); Films at Navarre, Bilbao, Ahetze and Bergara; Short at Pamplona (The husband), shorts, documentary, long film, corporate video... Appearances in shorts of students of Audiovisual Schools in Bilbao, San Sebastián and others.

Currently on screen:



TRAINING
With Esther Remiro,  Luis Iturri, Josema Lángara, Ana Miranda, Gaël Rabas, Aurelia Bartolomé, Patrick Pezin, Gilles Días, Coline Serreau, Jean Luc Bansard, Lea Bosco and others
On line: Dustin Hoffman, Assumpta Serna, Scott Cleverdon, Mariano Barroso, Travis etc.

OTHERS
Spanish, French (Spanish accent), English (Spanish accent), Basque (B1, low).
Lawyer (1972- now), university professor (1978-2014), writer and sportsman (Golf, mountaineering, rugby, hockey, skiing, horse riding...)
Drawing, peinting
Elegant
Published novel: “Manual de derecho procesal" (Ed. Kriselu, Donostia, 1994)
Some screenplays registered.
Serials, stories, poetry, scripts, theater in the two blogs:antxonmasse and togado en la mele
Finally fully vaccinated
I'm at Familia de Cine: https://www.familiadecine.com/

You can find samples of performances on You Tube: Antxón Massé

Castupload

facebook.com/antxonmasse
youtube.com/antxon masse
https://www.imdb.com/name/nm10197383/?ref_=fn_al_nm_1
https://antxonmasse.wixsite.com/website

The same text in spanish, french and basque: